Archive for the ‘projects’ Category

Pharos plays its part in London’s New Year celebrations

Friday, January 20th, 2012

The spectacular pyrotechnic and lighting show for the Mayor of London’s New Year’s Eve festivities, produced by Jack Morton Worldwide, is an extraordinary collaborative effort involving multiple control systems at multiple locations incorporating multiple disciplines – all perfectly synchronised for this most time-centric event.

Jack Morton Worldwide © Mark Livemore

In Durham Marenghi’s stunning lighting design, temporary Arena Color fixtures and high power searchlights installed by Stage Electrics and supplied by ELP/Syncrolite are integrated with the permanent lighting installations on the London Eye and County Hall.  At the climax of the event, the lighting is synchronised with the fantastic midnight firework display, designed by Darryl Fleming of Kimbolton Fireworks.

Year-round, 640 Philips Color Kinetics ColorCasts illuminate the Eye, supplied by Architainment Lighting and controlled by two Pharos LPC 2s.  The façade of County Hall is floodlit with Philips Color Kinetics ColorReach Powercore LEDs, also supplied by Architainment and also controlled by another Pharos LPC 1.

This is the sixth New Year’s Eve that Pharos has been involved, ever since the London Eye lighting refit in 2006. In the afternoon of 31st December, the discrete Pharos systems are uploaded with special programming for the event, their internal clocks are synchronised with a GPS timecode receiver, and then they’re left to perform by themselves.  Programming is accurate to a hundredth of a second and is in step with the ChamSys lighting consoles and the fireworks controller.

Jack Morton Worldwide © Mark Livemore

Naturally the focus is on the breathtaking midnight sequence but the show design includes lighting for the whole evening during the build up to the celebrations.  Pharos Technical Product Manager Simon Hicks has programmed the Pharos systems for Durham for the last five years.  He explains, “This is the time when we can really show off what we can do with the Eye – for the rest of the year the lighting is mostly static with a few subtle effects to mark certain occasions.”

Durham has also commented that, “Lighting is used to complement and enhance the firework display as well as creating an exciting and dynamic atmosphere of anticipation before the midnight chimes of Big Ben to entertain the 250,000 people gathered in Westminster to witness the event and the millions who enjoy the broadcast on the BBC.”

Cristo del Pacífico

Thursday, January 5th, 2012
Cristo del Pacifico Opening Ceremony

Cristo del Pacifico Opening Ceremony

Cristo del Pacífico is a mystical monument located in Chorrillos, Lima, Peru. The 122ft (37m) high statue, representing Jesus Christ, is a farewell gift from President Alan Garcia to the country of Peru and the city of Lima. The iconic sculpture provides city beautification and it has already become a part of everyday life for all residents of Lima through its dynamic, colour-changing design.

Pharos Designer in action

Pharos Designer in action

Cristo del Pacífico speaks to the city through a wide palette of colours, changing its appearance according to a carefully designed schedule. The Pharos LPC tracks over 50 dates, dynamically changing the lighting to commemorate religious and national holidays as well as significant anniversaries of historical Peruvian and world events. 16 powerful Philips Color Kinetics ColorReach fixtures, mounted at both the sculpture’s base and on two lighting towers, bring out the sculpture’s depth and beauty.

The lighting system is also comprised of a wireless broadband connection to the Internet, a Panasonic IP camera mounted on one of the lighting towers and a custom iPad web interface. LED-LS designed, engineered and programmed the system with remote management in mind – utilising Pharos Installation Manager and the live IP camera, they can view the installation from anywhere in the world, control the lighting and make programming changes.

The inaugural lighting of the monument was on 29th July 2011 when President Alan Garcia presented his gift to Peru, making use of the iPad interface to officially light up the statue for the first time in front of thousands of people, who were then treated to a spectacular fireworks display.

Statue overlooks the city

Statue overlooks the city

We will rock you at the MTV Awards

Monday, November 14th, 2011

The Pharos LPC X was performing at last week’s MTV Awards in Belfast. Legendary rock band Queen were honoured with the Global Icon Award and presented a medley of songs at the ceremony.
The scenic backdrop on stage was created with a wall of 70 Jarag fixtures connected via Art-Net and a DMX merge, utilising multiple methods of control: the wall was run directly by a Roadhog Full Boar, allowing dimmer effects over the 1750 dimmer channels and access to the inbuilt Jarag sequencer; a Pharos LPC X contributed to the wall control by laying graphics and text over the fixture matrix, synchronised to Adam Lambert’s sung lyrics. Timelines with individual static words, scrolling text and concentric & linear graphics were triggered using custom-built Roadhog personalities. The system was provided by PRG, choreographed and controlled by Theo Cox.

Go directly to Clink Street…

Wednesday, March 2nd, 2011

A gloomy Victorian passageway in London has been transformed by Halo Lighting. The Clink Street tunnel is used by both residents and tourists as it is next to the Clink Prison Museum on the site of the notorious medieval gaol.

Clink Street © Halo Lighting

The mesh screen in the roof of the tunnel comprises 9,600 RGB nodes and can display unlimited effects and video. The main programme is gentle twinkling lights which, when triggered by increased pedestrian activity, builds into a dramatic firework display. This is all controlled by a Pharos LPC 60.

Southwark Council commissioned Halo lighting designer Yann Guenancia to develop the concept, realised in collaboration with Architainment Lighting who supplied the Philips Color Kinetics iColor® Flex MX fixtures.

Washington Nationals “Curveball”

Thursday, February 10th, 2011

Pharos and Philips Color Kinetics got a hold of this curve ball thrown to us by The Washington Nationals baseball team.  The new baseball stadium art project called “Curveball” was designed by sculptor Thomas Sayre and Clearscapes of Raleigh, NC.

Curveball Photo

The project jazzes up the outside of the two main parking garages as you approach the stadium.  The project is comprised of 30 large custom stainless steel baseballs mounted on the front side of the garages and uplit by 2 Color Kinetics ColorBlast fixtures each.  Two Pharos LPC1 controllers make up the lighting system, one LPC1 located in each garage.

Curveball Photo

To keep the units in sync, the controllers were connected to the existing network already in place at each garage.  This provided an elegant, low cost option since the Pharos controllers can very easily communicate over existing, non-lighting networks.  Jeremy Day, Philips Color Kinetics Engineer and Pharos programmer, comments, “This was certainly a fun project to work on and I enjoyed working with both the Clearscapes team and the Pharos controllers”.

Vegas Mall, Moscow: an unprecedented 650 DMX universe lighting installation

Tuesday, January 4th, 2011

Last month, we featured a behind-the-scenes look at the massive control system required for a shopping mall in Russia. Now we can show you what those eight Pharos LPC Xs are controlling.

The Ginza-inspired shopping area is just one part of the colossal Vegas Mall, a themed shopping complex in Moscow. This street was envisioned to evoke an evening in Tokyo’s exclusive retail district – lighting is an integral part of the experience.

Photo © Philips by Maslov PR

Photo © Philips by Oguz Gulsoy

Design house Elemegi Architetural and mall owners Crocus Group developed the concept with Philips Lighting, drawing on expertise from Philips teams in Turkey, Russia and their headquarters in the Netherlands to produce one of the largest permanent indoor lighting structures ever built.

Thirty-two luxury shops and restaurants have individual façades, each created using different materials and styles and all with LEDs embedded in the surfaces. The lighting design aims to emphasize distinctions in each façade while maintaining a sense of a cohesive theme.

Photo © Philips by Oguz Gulsoy

Decorative and accent lighting on the façades combine with sixty-four panels acting as low resolution screens along the 130m length of the street, each able to display individual sequences or all combining to act as one complete, synchronised lighting canvas.

Bas Hoksbergen, Controls Systems Consultant with Philips, was instrumental in specifying the Pharos control system as the solution to satisfy the requirements for this immense project, “It was very important we fulfilled Philips’ promise of ‘sense and simplicity’. Ginza Street is an advanced installation based around 8 Pharos LPC X controllers, and we were aware that end users would have limited technical knowledge. We had to give them a solution that could also provide complex video and effect updating as easily as possible. Pharos developed the great Dynamic Media Manager software which will enable the customer to do exactly what they want. It’s a perfect example of a meaningful solution, powered by new technology.”

Photo © Philips by Maslov PR

Bas also appreciates the rewards of the control partnership Pharos offers Philips Lighting, “Our partners are our collaborators, not just a supplier or customer. Partners can fill up niches we can’t and we benefit from that. Working with partners in innovation can really lead to amazing results in a short time frame. We were able to create an ambitious, large-scale installation without any major problems or hiccups.”  He was thrilled to see the results of this, when shoppers were not only clearly enjoying the lighting, but were stopping to take photos and videos!

Just how does a lighting design amass the need for over 650 universes of DMX control?  Here are the numbers to show how it all adds up:

  • LPC 70 controlling 10800 CK iColor Flex MX nodes
  • LPC 100 controlling 15281 CK iColor Flex MX nodes
  • LPC 100 controlling 14667 CK iColor Flex MX nodes
  • LPC 70 controlling 11824 CK iColor Flex MX nodes
  • LPC 100 controlling 16362 CK iColor Flex MX nodes
  • LPC 100 controlling 13422 CK iColor Flex MX nodes
  • LPC 100 controlling 16505 CK iColor Flex MX nodes
  • LPC 80 controlling 1000 feet of CK iColor Accent, 140 CK iW Cove, 1400 CK Cove MX, 700 feet of CK iColor Graze, 9 CK iColor Blasts and 10 Philips LedLine2

Details of all Philips Lighting and Philips Color Kinetics fixtures can be found on their websites, where you can also read the Philips press release.

Largest Pharos installation to date

Wednesday, December 1st, 2010

Control cabinet, Vegas Mall, Moscow

We are thrilled with every LPC 1 that goes out the door, but shipping eight LPC Xs to Russia for one installation was rather special!

This Phillips Lighting project required over 650 universes of control, distributed across a mixture of LPC70s, LPC80s and LPC100s.

The controllers output KiNet to 333,360 control channels of Philips Color Kinetics fixtures throughout the mall, lighting architectural features and 64 low-res screens. The installation takes advantage of the multi-output capability of the LPC X; the fixtures are patched to both the KiNet and DVI outputs of each controller, which operate simultaneously. The DVI outputs are connected to local DVI displays in the control room for monitoring the lighting in the facility.

The installation also used a couple of Pharos button panels, the Pharos PoE switch and an LPC 1 for master control purposes.

Bas Hoksbergen, Controls System Consultant for Philips Lighting, project managed and programmed the system.  He comments, “One of the great benefits of using Pharos is the reliability, another is the flexibility to map to different matrices. Some effects are specific to each screen, other effects use a multiple of screens acting as one, simply by programming on a different pixel map. This gave flexibility even mediaservers would struggle to provide”.

Bas also used our new Dynamic Media Manager utility (on general release soon!). Instead of programming media and effects directly onto timelines in Designer, Media Slots are programmed as placeholders.  The content is then created and edited in Dynamic Media Manager for upload to the controllers.  This allows graphical content to be changed by end-users without changing the overall Designer project file, and allows a programmer to quickly upload large amounts of content to the nine controllers via Pharos Installation Manager.

A Sensory Crossing

Tuesday, August 24th, 2010

The Bridge of Peace spanning the river Mtkvari is the third project in the Georgian capital of Tbilisi using Pharos controllers with the collaboration team of Italian architect Michele de Lucchi, French lighting designer Philippe Martinaud and Dutch lighting engineer Marco de Boer.  A graceful and elegant sculpture evocative of a marine animal, its dynamic, mesmerising illumination is created using only white light.

Bridge of Peace, Tbilisi, Georgia. Photo © Ivane Goliadze

The 1200 fixtures in the glass canopy provide a substantial canvas for geometric and organic lighting patterns suggesting animation and breathing.  Martinaud explains, “Through the lighting design, I could create a second skin to stress the architectural structure and give it a light which is alive and in perpetual movement.”  The canopy effects are generated by a networked Pharos LPC 1 and LPC 2.

An additional four LPC 2s and three LPC 1s control the 4100 LEDs incorporated into the glass parapets of the 150m interactive walkway.  Integrated along the walkway are 256 sensors connected to the digital inputs on 32 Pharos RIO 80 remote devices networked via 16 Pharos PoE switches to the LPCs.  As pedestrians pass the sensors, sections of lights follow their progress across the bridge.  The LPCs’ support for scripting greatly simplified the task of handling the trigger inputs from the many sensors and allowed the team to make rapid adjustments during commissioning.  A Pharos button panel (BPS) is also installed for local triggering of override sequences.

From sunset to the early hours, the controllers run a change of program every fifteen minutes, culminating in the hourly sequence that expresses a universal message: the chemical elements that comprise the human body.  This was achieved by translating their periodic table chemical symbols into Morse code and programming the dash-dot pattern as a text effect in Pharos Designer. The resulting light pattern travels across the parapet. Martinaud adds that, “This message celebrates life and peace between people.”

Watch out for bikes!

Friday, August 6th, 2010

Philips Lighting is using an LPC 1 as the control solution for a bicycle tunnel in Brno. Filip Muller of  Philips Czech worked with architect Václav Hlaváček of Studio acht to create this dynamic, interactive installation with sixteen Philips Color Kinetics Colorgraze fixtures and four sensors connected to the LPC to detect movement in the tunnel and trigger programming accordingly.

More on the Spanish Pavilion at the Shanghai Expo

Friday, July 23rd, 2010

In partnership with architect studio Fundación Metrópoli, Philips Lighting has installed a remarkable representation of the city of Bilbao in the Spanish Pavilion of the World Expo 2010.  The massive scale model measures 13 x 8 metres and includes 1900 nodes of Philips iColorFlex SL, individually illuminating each building, and 80 metres of blue Flexitube to create the Bilbao River, all controlled by a Pharos LPC 20.

The Light Sculpture displays the urban evolution of Bilbao and represents three Bilbao revolutions: the Industrial revolution, the Urban revolution of the past 25 years and the Knowledge revolution – the city’s planning for the 21st Century.

Bilbao city model. Photos © Markus Schroll, Fundación Metrópoli

Philips CK iColor Flex SL range was the preferred technology because every LED node could be addressed individually, allowing the designer to light any building at any time in any colour and create all the dynamic lighting effects and animations within the sculpture.

The 20 DMX universe Pharos LPC X controller is fully synchronised with the audio and video images projected onto the pavilion walls. Each aspect of the sculpture changes constantly, expressing a luminous choreography supporting the spectacular projected images of urban and economic transformation of the city for an immersive multimedia and interactive tour.

The control system had to meet multiple demands: control twelve universes of individual fixtures within this complex array, keep synchronised to the video projection and audio and create the wide variety of effects required by the designer.  Philips Controls System Consultant and project programmer, Bas Hoksbergen, comments, “The Pharos LPC 20 was able to do this with ease”.

Bilbao city model, Shanghai Expo 2010

Bilbao city model. Photos © Markus Schroll, Fundación Metrópoli

Video and additional photos can be found on our earlier post.